Andreas Brøgger is Curator at Nikolaj Kunsthal (Nikolaj Copenhagen Contemporary Art Center). With Karen Newman he has recently curated Efterbilleder [Persistence of Vision], an exhibition exploring the interplay of vision, memory and media (FACT, Foundation for Art and Creative Technology, 2010 and Nikolaj CCAC 2010-2011). Based on his research into developments in art and technology since the 1960s, he has lectured at the Transmediale and Electrohype festivals and contributed to a number of publications including Get Real: Real Time + Art (ed. M. Sondergaard, published by George Braziller, New York, 2005). With Omar Kholeif he is the editor of the book Vision, Memory and Media (Liverpool University Press/Chicago University Press, 2010). He has previously worked as a magazine editor and critic for print and online journals like Kritik, Øjeblikket, Periskop, SIKSI, Flash Art, rhizome.org, noemalab.com. Among previously curated exhibitions are KICK OFF – Contemporary Art and Football (Nikolaj CCAC, 2010), The Lake (Art Museum of West Zealand, 2009) and WEBSCAPE (Art Museum of West Zealand, 2006-2007). He holds an M.A. in Modern Culture Studies from the University of Copenhagen.